An investigation into the transition in image-making, where light rays hit a sensitised emulsion. By using historic cameras with limited exposure values, it creates an ontological instance of motion blur (ontology being the causal connection between an event and its outcome). The resulting celluloid-based image is then transitioned through digital scanning and printing into an epistemological result; epistemology suggests that the final images are reliable informants of the properties of the photographic journey they have undergone.